1
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WEATHER TODAY IN THE
GREATER CINCINNATI AREA...

2
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<i>♪ I LOVE YOU SO
BADLY I COULD... ♪</i>

3
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<i>THEY'RE SOLID PLASTIC, SO
DON'T SETTLE FOR IMITATION...</i>

4
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<i>BUT THE SENATOR, WHILE
INSISTING HE WAS NOT INTOXICATED,</i>

5
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<i>COULD NOT EXPLAIN HIS NUDITY.</i>

6
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<i>♪♪</i>

7
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<i>♪♪</i>

8
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<i>♪ BABY IF YOU'VE EVER WONDERED ♪</i>

9
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<i>♪ WONDERED WHATEVER
BECAME OF ME ♪</i>

10
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<i>♪ I'M LIVING ON THE
AIR IN CINCINNATI ♪</i>

11
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<i>♪ CINCINNATI, WKRP ♪</i>

12
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<i>♪ GOT KIND OF TIRED OF
PACKING AND UNPACKING ♪</i>

13
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<i>♪ TOWN TO TOWN UP
AND DOWN THE DIAL ♪</i>

14
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<i>♪ MAYBE YOU AND ME
WERE NEVER MEANT TO BE ♪</i>

15
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<i>♪ JUST MAYBE THINK
OF ME ONCE IN A WHILE ♪</i>

16
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<i>♪ I'M AT WKRP ♪</i>

17
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<i>♪ IN CINCINNATI ♪♪</i>

18
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- GOOD MORNING, JENNIFER.
- OH, HI, ANDY. HOW'S IT GOING?

19
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FINE. GREAT DAY.
MESSAGES? <i>MM-HMM.</i>

20
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ANDY, I TRIED TO CATCH YOU
AT THE ELEVATOR DOWNSTAIRS.

21
00:01:11,438 --> 00:01:13,372
I'M SORRY, LES. I
DIDN'T SEE YOU.

22
00:01:13,440 --> 00:01:16,674
YOU DIDN'T HEAR THAT THUMP
JUST AFTER THE DOORS CLOSED?

23
00:01:16,743 --> 00:01:19,311
- YEAH, I DID HEAR THAT.
- WELL, THAT WAS ME.

24
00:01:19,380 --> 00:01:21,012
OH. WHAT CAN I DO FOR YOU?

25
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- WERE YOU LISTENING TO JOHNNY
AS YOU DROVE IN THIS MORNING?
- SURE.

26
00:01:23,717 --> 00:01:27,719
WELL, HE'S DOING BOGUS NEWS REPORTS,
ANDY. THAT'S VERY DANGEROUS, YOU KNOW.

27
00:01:27,787 --> 00:01:29,721
WELL, LIKE WHAT?

28
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WELL, HE'S TELLING LISTENERS THERE'S
THIS THING CALLED A CINCINNATI TRIANGLE.

29
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IT'S JUST LIKE THE BERMUDA TRIANGLE,
EXCEPT IT RUNS FROM CINCINNATI,

30
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UP TO DAYTON, OVER
TO COLUMBUS AND BACK.

31
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HE'S REPORTING THAT THINGS HAVE BEGUN
TO DISAPPEAR FROM THE CINCINNATI TRIANGLE.

32
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- WHAT KIND OF THINGS?
- WELL, SO FAR,

33
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TWO RECREATIONAL
VEHICLES AND WOODY HAYES.

34
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LES, I DON'T THINK ANYONE IN THEIR
RIGHT MIND WOULD BELIEVE THAT ONE.

35
00:01:54,782 --> 00:01:58,584
- THAT'S, UH... THAT'S A JOKE.
- OH.

36
00:01:58,652 --> 00:02:00,919
IS IT FUNNY?

37
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- WELL, I THINK IT'S FUNNY. JENNIFER?
- OH, YEAH. SO DO I.

38
00:02:03,923 --> 00:02:06,792
OH, I SEE.

39
00:02:06,860 --> 00:02:09,995
THAT DARN JOHNNY.

40
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WHAT A CARD.

41
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OH, TRAVIS. JUST THE
MAN I NEED TO SEE.

42
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WOULD YOU GET IN HERE, PLEASE?

43
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SURE THING, MR. CARLSON.
LET ME PUT MY THINGS AWAY.

44
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HI. HEAR THE NEWS?
WOODY HAYES IS MISSING.

45
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WHO IS WOODY HAYES?
WHO'S WOODY HAYES?

46
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ONLY THE FAMOUS OHIO STATE FOOTBALL
COACH. BOY, WHERE HAVE YOU BEEN?

47
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OUT WITH OTHER MEN, HERB,
LETTING THEM HAVE THEIR WAY WITH ME.

48
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DON'T SAY THAT,
JENNIFER. IT'S TRUE, HERB.

49
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YOU WANNA KNOW WHAT
ELSE? NO, I DON'T WANNA HEAR IT.

50
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ANDY'S DONE A LOT OF NICE...
ANDY. MEET STEVE PIEVY.

51
00:02:48,769 --> 00:02:50,747
HELLO, MR. PIEVY.
HELLO, YOUNG MAN.

52
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STEVE HERE IS ONE OF MY OLDEST
AND DEAREST FRIENDS. OH, THAT'S NICE.

53
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- GUESS WHAT ELSE. HE'S A CONCERT PROMOTER.
- OH, YEAH?

54
00:02:57,311 --> 00:02:59,644
THAT'S RIGHT. I HAVEN'T
BEEN TOO ACTIVE LATELY,

55
00:02:59,713 --> 00:03:03,781
BUT SHOWBIZ IS IN MY BLOOD
AND I CAN'T SEEM TO GET IT OUT.

56
00:03:03,850 --> 00:03:07,219
ANDY, THIS MAN CAN TELL
YOU SOME WILD STORIES.

57
00:03:07,287 --> 00:03:09,220
I COULD TELL YOU
SOME WILD STORIES.

58
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TELL ONE. NAH.

59
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OH, COME ON. NAH.

60
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MR. CARLSON, DID YOU WANT TO
SEE ME FOR ANY PARTICULAR REASON?

61
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OF COURSE I DID. I ALWAYS WANT
TO SEE YOU FOR A REASON, TRAVIS.

62
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THERE WAS THIS ONE TIME JERRY VALE
SWALLOWED A BUG AT THE STARLIGHT THEATER.

63
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- NOT NOW, STEVE.
- FLEW RIGHT DOWN THIS THROAT.

64
00:03:26,607 --> 00:03:29,281
STEVE. LOOK, TRAVIS,
YOU'VE... ALWAYS TALKIN'

65
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ABOUT HOW WE NEED
TO PROMOTE A CONCERT?

66
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- UH, YEAH. I'M WORKIN' ON THAT.
- WELL, I'M GONNA HELP YOU,

67
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BECAUSE THIS MAN HAS
BOOKED SOME OF THE

68
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BIGGEST ACTS IN SHOW
BUSINESS IN CINCINNATI.

69
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THAT'S RIGHT. AND THEY'RE
ALWAYS IN THE BEST OF TASTE.

70
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WELL, I'M SURE HE HAS, MR. CARLSON, BUT
WE NEED A BAND THAT PLAYS ROCK AND ROLL.

71
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JUST A SECOND. STEVIE PIEVY
HERE BOOKS ALL KINDS OF ACTS.

72
00:03:47,127 --> 00:03:51,129
THAT'S RIGHT. THEY DON'T CALL ME
MR. ENTERTAINMENT FOR NOTHING.

73
00:03:52,165 --> 00:03:55,400
OH, DEAR. MY PIE
HAS BEEN SQUISHED.

74
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JUST TELL US WHAT YOU
GOT. HOW ABOUT A BEAR ACT?

75
00:04:00,340 --> 00:04:02,540
I DON'T THINK SO.
THEY WEAR TUTUS.

76
00:04:02,609 --> 00:04:06,311
LOOK, IF YOU GOT ANY MUSICAL
ACTS... WELL, LET ME SEE.

77
00:04:06,380 --> 00:04:10,849
I STILL BOOK CHUCK PARKER
AND HIS MOUNTED VIRGINIANS.

78
00:04:10,918 --> 00:04:12,896
HEY, LISTEN, TRAVIS.
THERE'S A WINNER FOR YA.

79
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- I-IT'S A DIXIELAND BAND
THAT PLAYS ON HORSEBACK.
- OH, HORSEBACK.

80
00:04:16,457 --> 00:04:19,624
NO, WE NEED A BAND THAT'S GONNA GO
ALONG WITH OUR ROCK-AND-ROLL FORMAT.

81
00:04:19,693 --> 00:04:21,737
<i>YECH.</i> I DO HAVE ONE ACT.

82
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THEY MUST BE A ROCK-AND-ROLL
BAND. THEIR NAME'S SCUM OF THE EARTH.

83
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YOU BOOK SCUM? NOT AS A RULE.

84
00:04:31,905 --> 00:04:33,983
THAT SOUNDS TERRIBLE.
WHAT ELSE HAVE YOU GOT?

85
00:04:34,007 --> 00:04:36,307
WAIT A MINUTE. THIS IS A
HOT NEW GROUP IN ENGLAND.

86
00:04:36,376 --> 00:04:38,309
AND THEY'RE STARTING
AN AMERICAN TOUR.

87
00:04:38,378 --> 00:04:40,678
I COULD GET THEM FOR YOU.
THEIR PRICE CERTAINLY IS RIGHT.

88
00:04:40,747 --> 00:04:43,787
- IS THIS WHAT YOU CALL
YOUR JUNK ROCK?
- UH, "PUNK." PUNK ROCK.

89
00:04:45,452 --> 00:04:48,787
PUNK, JUNK... IT'S ALL THE SAME. LOOK,
I'D LIKE TO HEAR MORE ABOUT THE BEARS.

90
00:04:48,855 --> 00:04:51,456
MR. PIEVY, WHY DON'T YOU AND I
DISCUSS THE DETAILS IN MY OFFICE?

91
00:04:51,525 --> 00:04:53,458
OH, WE'LL HAVE TO MOVE
FAST ON THIS, ANDREW.

92
00:04:53,527 --> 00:04:56,640
WELL, LET'S GET RIGHT ON IT. OH,
GOOD. I LIKE IT WHEN IT GETS EXCITING.

93
00:04:56,664 --> 00:04:59,731
HEY, WAIT A MINUTE, GUYS.
LOOK, IS THIS GONNA BE TASTEFUL?

94
00:04:59,800 --> 00:05:02,960
IT'S GONNA BE JUST THE THING
THAT WE'VE BEEN LOOKIN' FOR.

95
00:05:03,003 --> 00:05:06,170
I'LL BE DIPPED IN SHELLAC.

96
00:05:08,742 --> 00:05:12,009
<i>NO, NO, NO, NO. LISTEN. NO.
PARKING IS NOT OUR RESPONSIBILITY.</i>

97
00:05:12,078 --> 00:05:14,379
THAT COMES UNDER
"AUDITORIUM SECURITY."

98
00:05:14,448 --> 00:05:17,048
WELL, THEN YOU'LL HAVE TO
TALK TO MR. PIEVY ABOUT THAT.

99
00:05:17,116 --> 00:05:19,751
OKAY. YEAH, THANKS A LOT.

100
00:05:19,820 --> 00:05:22,531
UH, HI THERE, TRAVIS. WELL,
GOOD MORNING, MR. CARLSON.

101
00:05:22,555 --> 00:05:25,924
OH, BY THE WAY, I SOLD ALL THE
PROGRAM ADS. OH, HI, BIG GUY.

102
00:05:27,727 --> 00:05:31,262
HI. UH, LISTEN, TRAVIS.

103
00:05:31,331 --> 00:05:35,033
WORD'S OUT THAT... THIS
BAND DOES SOME CRAZY THINGS.

104
00:05:35,101 --> 00:05:38,670
NOW, I-I KNOW THAT I'M NOT,
UH... I'M NOT KNOWN AS A HIP GUY.

105
00:05:38,739 --> 00:05:42,540
- HEY, ANDY. HOW'S THIS FOR THE SHOW?
- THAT IS PERFECT.

106
00:05:42,609 --> 00:05:45,543
GOOD. I BEEN WANTIN' TO WEAR
THIS DOG. WHAT'S HAPPENIN', MAN?

107
00:05:48,181 --> 00:05:50,782
UH, VENUS IS EMCEEING THE SHOW.

108
00:05:50,851 --> 00:05:54,720
OH, YEAH. REAL GOOD. UH...

109
00:05:54,788 --> 00:05:58,890
Y-YOU KNOW, ANDY, THERE ARE TWO
REASONS THAT I-I DON'T WANNA DO THIS THING.

110
00:05:58,959 --> 00:06:02,427
NUMBER ONE...
THERE'S MONEY IN HERE.

111
00:06:02,496 --> 00:06:04,830
SURE. LOT OF IT.
SEVEN BUCKS A TICKET.

112
00:06:07,100 --> 00:06:10,180
I'M SORRY, MR. CARLSON. WHAT WAS IT
YOU WANTED TO, UH, TALK TO ME ABOUT?

113
00:06:10,204 --> 00:06:12,504
OH, NOTHING.
N-NOTHING AT ALL. UH...

114
00:06:14,341 --> 00:06:18,275
EXCEPT JUST DON'T YOU FORGET WHOSE
IDEA THIS WAS IN THE FIRST PLACE, OKAY?

115
00:06:21,815 --> 00:06:25,050
THERE. HOW DOES THAT LOOK?

116
00:06:25,118 --> 00:06:27,252
IT'S POETRY.

117
00:06:28,421 --> 00:06:31,789
GOOD GRIEF.

118
00:06:31,858 --> 00:06:33,887
ISN'T SOMETHING LIKE
THAT AN INVITATION FOR

119
00:06:33,911 --> 00:06:36,060
ALL THE WORST SORT OF
PEOPLE TO COME IN HERE?

120
00:06:37,865 --> 00:06:39,798
LES, THAT'S THE NAME
OF AN ORCHESTRA.

121
00:06:39,867 --> 00:06:42,345
HAVEN'T YOU HEARD THE ON-THE-AIR
PROMOTION SPOTS WE'VE BEEN RUNNING?

122
00:06:42,369 --> 00:06:44,409
YES, BUT I THOUGHT
THAT WAS ALL JUST A JOKE.

123
00:06:44,471 --> 00:06:48,039
- IT IS, LES.
- I THOUGHT SO.

124
00:06:48,108 --> 00:06:54,012
- IT'S DARN FUNNY TOO.
- IT'S DARN FUNNY.

125
00:06:54,080 --> 00:06:56,448
ISN'T THIS EXCITING,
MR. CARLSON?

126
00:06:56,516 --> 00:06:59,650
YEAH, IT CERTAINLY IS.
YEAH, OUR FIRST CONCERT.

127
00:06:59,719 --> 00:07:02,631
I MEAN, THE FIRST CONCERT
WE'VE HAD SINCE WE'VE GONE ROCK.

128
00:07:02,655 --> 00:07:04,889
AND WE SOLD OUT TOO.

129
00:07:04,958 --> 00:07:09,494
COURSE, IT'S NOT A VERY BIG AUDITORIUM.
BUT STILL, I THINK IT'S VERY EXCITING.

130
00:07:11,498 --> 00:07:13,431
WHO'S SHE?

131
00:07:13,500 --> 00:07:16,001
BAILEY QUARTERS. SHE WORK HERE?

132
00:07:16,069 --> 00:07:18,002
UH-HUH. I LIKE HER.

133
00:07:18,071 --> 00:07:20,405
I KNOW. YOU SAY THAT
EVERY TIME YOU MEET HER.

134
00:07:20,473 --> 00:07:22,907
I DO? <i>HEY, BIG GUY.</i>

135
00:07:22,976 --> 00:07:24,954
HAVE YOU EVER
HEARD A SCUM RECORD?

136
00:07:24,978 --> 00:07:27,512
THIS MAY AMAZE YOU,
HERB, BUT, UH, NO.

137
00:07:27,580 --> 00:07:30,815
WELL, I WROTE DOWN THE LYRICS TO ONE
CALLED "LOVE IS MURDER." YOU WANNA HEAR IT?

138
00:07:30,883 --> 00:07:32,963
WHAT CHOICES DO I HAVE? YEAH.

139
00:07:34,154 --> 00:07:37,288
"LOVE IS MURDER, MURDER IS LOVE.

140
00:07:37,357 --> 00:07:40,492
"I'M A ROCK-AND-ROLL HOODLUM
WITH A BLACK LEATHER GLOVE.

141
00:07:41,828 --> 00:07:44,996
KNOCK ME DOWN, BABY.
STEP ON MY FACE." OH.

142
00:07:45,064 --> 00:07:49,134
"I'M A... ""I'M A FOOL FOR YOU,
BABY. LET'S BLOW UP THIS PLACE."

143
00:07:50,570 --> 00:07:52,504
KINDA CATCHY, HUH?

144
00:07:52,572 --> 00:07:55,273
I'VE NEVER LET PAYOLA
INFLUENCE MY RECORD SELECTION.

145
00:07:55,342 --> 00:07:59,144
ANDY, MR. PIEVY FINALLY CALLED
FROM THE AIRPORT. SCUM IS ON ITS WAY.

146
00:07:59,213 --> 00:08:01,146
WELL, THAT'S TERRIFIC. TERRIFIC?

147
00:08:01,215 --> 00:08:03,314
THOSE PEOPLE WRITE
MUSIC ABOUT EXPLOSIONS.

148
00:08:03,383 --> 00:08:06,628
MR. CARLSON, I'VE BEEN TRYIN' TO
TELL YOU THIS. THEY'RE MUSICIANS.

149
00:08:06,652 --> 00:08:10,688
ALL THAT'S JUST A GIMMICK. YOU GOT NOTHIN'
TO WORRY ABOUT. I GOTTA GO CHECK ON VENUS.

150
00:08:10,757 --> 00:08:12,735
JOHNNY, IS THAT TRUE? WHAT?

151
00:08:12,759 --> 00:08:16,094
THAT I'VE GOT NOTHIN' TO
WORRY ABOUT. NO, IT'S NOT.

152
00:08:19,132 --> 00:08:21,932
HELLO. WE'RE THE
SCUM OF THE EARTH.

153
00:08:23,370 --> 00:08:25,503
- NO.
- YES.

154
00:08:25,572 --> 00:08:27,505
HUH? MMM.

155
00:08:27,574 --> 00:08:30,241
HUH. LISTEN, DR. FEVER. THIS IS
MARVEL... THESE GUYS ARE WONDERFUL.

156
00:08:30,310 --> 00:08:33,211
COATS, TIES, THE WHOLE...
WELCOME ABOARD, FELLAS.

157
00:08:33,280 --> 00:08:36,447
- THANK YOU VERY MUCH, SIR.
- ARE YOU SURE YOU'RE SCUM?

158
00:08:36,516 --> 00:08:38,016
POSITIVE.

159
00:08:38,084 --> 00:08:41,185
WELL, OF COURSE THEY
ARE. WHERE IS MR. PIEVY?

160
00:08:41,254 --> 00:08:44,155
HE GOT OUT OF THE CAR. THAT'S
THE LAST WE SAW OF HIM, I THINK.

161
00:08:44,224 --> 00:08:46,624
WAS THE CAR MOVING
WHEN HE GOT OUT?

162
00:08:46,693 --> 00:08:49,894
YES, I... I BELIEVE IT WAS.

163
00:08:51,765 --> 00:08:53,731
WH-WHY WOULD HE
DO A THING LIKE THAT?

164
00:08:53,800 --> 00:08:58,469
WE DON'T KNOW, BUT THAT'S OUR
STORY AND WE'RE STICKING TO IT.

165
00:09:00,473 --> 00:09:02,907
YEAH, THESE ARE THE GUYS.

166
00:09:05,045 --> 00:09:08,079
STRAY CAT ♪

167
00:09:08,147 --> 00:09:10,081
♪♪

168
00:09:10,149 --> 00:09:12,227
COME RIGHT ON IN HERE,
GUYS. <i>THANK YOU VERY MUCH.</i>

169
00:09:12,251 --> 00:09:14,185
ABSOLUTELY. THANK YOU.

170
00:09:14,253 --> 00:09:17,099
NOW THIS IS VENUS FLYTRAP. HE'S
GONNA BE DOING THE INTERVIEWING.

171
00:09:17,123 --> 00:09:18,233
WHAT'S HAPPENING? HELLO.

172
00:09:18,257 --> 00:09:20,069
MR. FLYTRAP. HOW
ARE YOU? I'M FINE.

173
00:09:20,093 --> 00:09:21,192
HEY. HOW DO YOU DO?

174
00:09:21,261 --> 00:09:23,005
ANYTHING PARTICULAR YOU
GUYS WANNA RAP ABOUT?

175
00:09:23,029 --> 00:09:25,107
NO, NO, NO. YOU CAN ASK
US ANYTHING YOU LIKE.

176
00:09:25,131 --> 00:09:27,197
WE'RE JUST DELIGHTED TO BE HERE.

177
00:09:27,266 --> 00:09:29,199
WELL, HOW ABOUT
SOMETHING TO DRINK?

178
00:09:29,268 --> 00:09:31,468
TEA WOULD BE LOVELY. YES.

179
00:09:31,537 --> 00:09:33,437
YOU GOT IT.

180
00:09:33,506 --> 00:09:35,439
OKAY, FELLAS. HERE WE GO.

181
00:09:35,508 --> 00:09:38,943
OH, ANYTIME. THIS
IS SO EXCITING.

182
00:09:39,012 --> 00:09:40,945
♪♪

183
00:09:41,014 --> 00:09:43,414
THAT WAS SCUM OF
THE EARTH'S NEW HIT,

184
00:09:43,483 --> 00:09:46,695
AND NOW LET'S RAP TO THESE
HEAVY DUDES HERE, LIVE IN PERSON.

185
00:09:46,719 --> 00:09:48,652
THIS IS VENUS FLYTRAP,

186
00:09:48,721 --> 00:09:51,055
<i>ONE-ON-ONE WITH SCUM.</i>

187
00:09:51,123 --> 00:09:54,325
- WELCOME TO CINCINNATI, GUYS.
- WE HATE CINCINNATI.

188
00:09:54,394 --> 00:09:57,795
- HUH?
- WE DON'T LIKE
THIS STUDIO MUCH EITHER.

189
00:09:57,864 --> 00:10:00,998
LOOK, WHY DON'T YOU
INTRODUCE YOURSELVES?

190
00:10:01,067 --> 00:10:04,168
VERY WELL. I'M
BLOOD, THIS IS NIGEL,

191
00:10:04,236 --> 00:10:06,804
AND THIS IS SIR
CHARLES WEATHERBEE.

192
00:10:06,873 --> 00:10:09,273
HE ANSWERS TO "DOG."

193
00:10:11,077 --> 00:10:13,544
OKAY. LET'S START WITH DOG.

194
00:10:13,612 --> 00:10:16,280
UM, WHERE DID YOU
THREE FIRST MEET?

195
00:10:16,349 --> 00:10:20,351
WHERE DID WE MEET? HOW BORING.
SAME OLD QUESTIONS WHEREVER WE GO.

196
00:10:20,419 --> 00:10:23,154
YES, BUT THIS IS
PARTICULARLY BORING.

197
00:10:23,223 --> 00:10:25,234
NO ONE SHOULD HAVE
TO HEAR THIS NONSENSE.

198
00:10:25,258 --> 00:10:30,661
I WOULD SUGGEST THAT EVERYONE LISTENING
TURN TO ANOTHER RADIO STATION IMMEDIATELY.

199
00:10:35,568 --> 00:10:37,501
YEAH.

200
00:10:40,673 --> 00:10:43,118
YOU DUDES LIKE TO... LIKE TO
KID AROUND A LOT, DON'T YOU?

201
00:10:43,142 --> 00:10:45,409
HEEL!

202
00:10:47,447 --> 00:10:50,859
MAY I SAY HELLO TO MY MOTHER?
YOUR MAMA LIVE IN CINCINNATI?

203
00:10:50,883 --> 00:10:53,203
WELL, THERE'S ALWAYS
A CHANCE, ISN'T THERE?

204
00:10:55,288 --> 00:11:00,324
HELLO, MUMMY. YOU NAUGHTY GIRL.

205
00:11:00,393 --> 00:11:03,961
DON'T COME HOME IF YOU
KNOW WHAT'S GOOD FOR YOU.

206
00:11:06,432 --> 00:11:08,351
LOOK, TURKEYS. YOU WANNA SHAPE

207
00:11:08,375 --> 00:11:10,234
UP, OR YOU WANT ME TO
PUT ON ANOTHER RECORD?

208
00:11:10,303 --> 00:11:12,937
WE'RE SO SORRY. PLEASE.
YES. WE APOLOGIZE.

209
00:11:13,006 --> 00:11:15,873
WHY DON'T YOU ASK DOG
ABOUT HIS MUSICAL TRAINING?

210
00:11:17,143 --> 00:11:19,077
OKAY.

211
00:11:20,246 --> 00:11:23,381
SORRY, GANG. WE HAD A
SLIGHT TECHNICAL PROBLEM.

212
00:11:23,450 --> 00:11:25,461
WE'RE NOW BACK LIVE WITH SCUM.

213
00:11:25,485 --> 00:11:28,786
OKAY, DOG, UH, TELL US ABOUT
YOUR FORMAL MUSICAL TRAINING.

214
00:11:28,855 --> 00:11:30,788
I HAVE NONE.

215
00:11:32,191 --> 00:11:34,124
CAN'T READ A BLOODY NOTE.

216
00:11:34,193 --> 00:11:37,561
- BUT I GOT A DEGREE IN CELLO
AT THE ROYAL ACADEMY.
- OH, YEAH?

217
00:11:37,630 --> 00:11:42,700
I DON'T PLAY TOO MUCH ANYMORE. YOU CAN'T
GET THOUSANDS OF SCREAMING TEENAGE GIRLS...

218
00:11:42,769 --> 00:11:45,737
TO COME TO A CELLO
RECITAL, NOW, CAN YOU?

219
00:11:45,805 --> 00:11:48,239
AND WE RATHER
LIKE TEENAGE GIRLS.

220
00:11:48,308 --> 00:11:52,510
NOW I THINK I KNOW HOW
PUNK ROCK GOT ITS NAME.

221
00:11:52,579 --> 00:11:56,314
ACTUALLY, WE'RE NOT
A PUNK ROCK GROUP.

222
00:11:56,383 --> 00:12:01,151
NO, PUNK ROCK IS PASSÉ.
WE PLAY HOODLUM ROCK.

223
00:12:01,220 --> 00:12:05,623
- IT'S SEVERAL CUTS
BELOW PUNK ROCK.
- WHAT'S THE DIFFERENCE?

224
00:12:05,692 --> 00:12:09,326
WELL, FIRST OF ALL, PUNK ROCK
GROUPS DRESS DEPLORABLY.

225
00:12:09,395 --> 00:12:12,563
AND SECONDLY, THEY DON'T USUALLY
PHYSICALLY ATTACK THEIR AUDIENCES.

226
00:12:16,636 --> 00:12:20,904
- AND YOU DUDES DO?
- COME TO THE SHOW
AND FIND OUT.

227
00:12:20,973 --> 00:12:23,708
WE DON'T LIKE AUDIENCES.

228
00:12:27,814 --> 00:12:31,115
- HEY, AREN'T THEY NICE?
- NICE? LOOK WHAT
THEY DID TO STEVE.

229
00:12:31,184 --> 00:12:33,117
- WHAT HAPPENED?
- I'LL TELL YOU WHAT HAPPENED.

230
00:12:33,185 --> 00:12:36,365
THEY THREW HIM LOCK, STOCK AND...
BRIEFCASE RIGHT OUT OF THE LIMOUSINE.

231
00:12:36,389 --> 00:12:39,957
ONE OF 'EM ASKED ME WHAT TIME IT
WAS, AND WHEN I SAID I DIDN'T KNOW,

232
00:12:40,026 --> 00:12:42,726
THIS OTHER ONE SAID,
"WELL, THAT'S IT FOR HIM."

233
00:12:45,832 --> 00:12:48,232
THOSE PEOPLE ARE
THE SCUM OF THE EARTH.

234
00:12:48,301 --> 00:12:52,303
ACTUALLY, THEY'RE VERY POLITE
BOYS. BUT EXTREMELY VICIOUS.

235
00:12:52,371 --> 00:12:55,105
OH, NOW, MR. PIEVY,
YOU JUST CALM DOWN.

236
00:12:55,174 --> 00:12:57,285
I'M GOING TO GO CALL
YOUR WIFE. THANK YOU.

237
00:12:57,309 --> 00:13:00,511
TRAVIS, WHAT THE HELL'S
GOIN' ON? I DON'T KNOW.

238
00:13:00,580 --> 00:13:02,379
HEY, ANDY. WHAT
THE HELL'S GOIN' ON?

239
00:13:02,448 --> 00:13:05,483
I DON'T KNOW. MAN, THOSE
DUDES ARE JUST NUTS.

240
00:13:05,551 --> 00:13:09,031
LET'S CANCEL THE CONCERT. THEY SEEMED
LIKE NICE ENOUGH GUYS WHEN I FIRST MET 'EM.

241
00:13:09,088 --> 00:13:10,421
BELIEVE ME, MAN. THOSE
DUDES ARE VICIOUS,

242
00:13:10,445 --> 00:13:11,967
THEY'RE DANGEROUS, AND
THEY'RE OUT OF CONTROL.

243
00:13:11,991 --> 00:13:14,369
WHERE ARE THEY NOW? HAVIN'
TEA IN THE CONTROL ROOM.

244
00:13:14,393 --> 00:13:17,561
WELL, THAT'S IT. LET'S
CANCEL THAT CONCERT.

245
00:13:17,630 --> 00:13:19,708
WAIT A MINUTE NOW.
WE CAN'T DO THAT.

246
00:13:19,732 --> 00:13:21,999
- NOW CAN WE, MR. PIEVY?
- IF YOU DON'T, YOU'RE NUTS.

247
00:13:22,068 --> 00:13:24,501
I, FOR ONE, AM
GETTING OUT OF HERE.

248
00:13:24,571 --> 00:13:27,471
LOOK, WAIT. THE CONCERT IS
TONIGHT. THE CONCERT IS TONIGHT!

249
00:13:27,540 --> 00:13:30,641
I DON'T CARE. THAT'S YOUR
PROBLEM. YOU TAKE IT FROM HERE.

250
00:13:30,709 --> 00:13:33,377
I'VE GOT A WIFE TO
THINK ABOUT, KIDS, ROOTS!

251
00:13:35,048 --> 00:13:36,981
WELL, TRAVIS, NOW
WHAT ARE WE GONNA DO?

252
00:13:37,049 --> 00:13:40,885
WELL, WE'RE GONNA GO AHEAD AS
PLANNED. I'LL TAKE OVER FOR PIEVY.

253
00:13:40,953 --> 00:13:42,798
WHO'S GONNA WATCH
THE BAND? JOHNNY.

254
00:13:42,822 --> 00:13:47,124
JOHNNY? HA! INSTEAD OF THREE
NUTS, NOW I GOT A FOURSOME.

255
00:13:47,193 --> 00:13:50,105
HE CAN DO IT. THESE GUYS JUST
GOTTA BE HANDLED IN THE RIGHT WAY.

256
00:13:53,232 --> 00:13:55,866
OKAY. LET 'EM IN.

257
00:14:00,372 --> 00:14:03,841
EXCUSE ME. UH, I WAS IN MY OFFICE
WORKING AND I SMELLED SOME SMOKE,

258
00:14:03,910 --> 00:14:05,888
SO I LOOKED IN THE
BROADCAST BOOTH.

259
00:14:05,912 --> 00:14:07,990
THERE ARE THREE VERY
WELL-DRESSED YOUNG MEN IN THERE.

260
00:14:08,014 --> 00:14:10,848
THEY SEEM TO BE
COOKING SOMETHING.

261
00:14:10,917 --> 00:14:13,662
I SWEAR, MAN. THEY WERE
DRINKIN' TEA WHEN I LEFT.

262
00:14:13,686 --> 00:14:16,954
THIS IS ANOTHER JOKE, RIGHT?
YEAH, LES. IT'S... IT'S A JOKE.

263
00:14:17,022 --> 00:14:20,457
IT'S DARN FUNNY.

264
00:14:20,526 --> 00:14:22,693
YOU KNOW, IF IT WASN'T
FOR MY SENSE OF HUMOR,

265
00:14:22,762 --> 00:14:25,529
I WOULD SWEAR I
WAS LOSING MY MIND.

266
00:14:30,603 --> 00:14:33,170
BOY, IT'S TOUGH AT THE TOP.

267
00:14:41,313 --> 00:14:43,681
THEY SEND YOU OVER
HERE TO LOOK AFTER US?

268
00:14:43,749 --> 00:14:47,084
YEAH. <i>WHO'S WATCHING YOU THEN?</i>

269
00:14:47,153 --> 00:14:49,820
NOBODY. I'M A RESPONSIBLE ADULT.

270
00:14:51,424 --> 00:14:54,592
- YOU DON'T LOOK RESPONSIBLE.
- WELL, YOU'LL JUST
HAVE TO TRUST ME.

271
00:14:54,660 --> 00:14:59,096
WE'RE NOT RESPONSIBLE.
WE'RE IRRESPONSIBLE.

272
00:14:59,165 --> 00:15:02,966
- I THINK YOU'RE BORING.
- BORING.

273
00:15:03,035 --> 00:15:06,904
WE'RE NEVER BORING. WATCH THIS.

274
00:15:08,941 --> 00:15:11,441
I TAKE IT BACK.
YOU'RE FASCINATING.

275
00:15:12,545 --> 00:15:14,478
HOW 'BOUT THIS THEN?

276
00:15:15,648 --> 00:15:19,016
MUCH BETTER. CAN YOU TOP IT?

277
00:15:24,857 --> 00:15:27,892
<i>NOW, HE'S REALLY
GETTING INTO SOMETHING.</i>

278
00:15:27,960 --> 00:15:30,061
<i>I SEE WHAT YOU MEAN.</i>

279
00:15:31,264 --> 00:15:33,965
♪♪

280
00:15:34,033 --> 00:15:35,966
HELLO?

281
00:15:36,034 --> 00:15:38,702
ANDY, YEAH. NO, WE'RE HAVING
LUNCH. NO COFFEE FOR ME.

282
00:15:38,771 --> 00:15:40,749
YEAH. YEAH.

283
00:15:40,773 --> 00:15:45,643
NO, NO. THEY'RE A SWELL
BUNCH OF KIDS. REALLY. YEAH.

284
00:15:45,711 --> 00:15:49,313
UH, IF YOU'RE NOT THROUGH
WITH LUNCH, I COULD COME BACK.

285
00:15:49,381 --> 00:15:52,783
THAT'S IT FOR HIM
THEN! OUT THE WINDOW!

286
00:15:52,851 --> 00:15:55,897
<i>I DON'T KNOW. GEE, THEY'RE JUST
ANOTHER BUNCH OF ROCK AND ROLLERS.</i>

287
00:15:55,921 --> 00:15:59,623
YOU KNOW, I CAN HANDLE IT.
EXCUSE ME. WHAT FLOOR ARE WE ON?

288
00:15:59,692 --> 00:16:01,725
- UH, GROUND FLOOR.
- PITY.

289
00:16:01,794 --> 00:16:06,163
I TELL YOU THE TRUTH, ANDY. I DON'T
SEE WHAT THE FUSS IS ALL ABOUT.

290
00:16:06,232 --> 00:16:11,902
REALLY. YEAH. IT'S, UH... CUTE.

291
00:16:19,945 --> 00:16:23,781
- STANDING ROOM ONLY. THERE'S
NOT AN EMPTY SEAT IN THE HOUSE.
- YEAH, BUT WHERE'S THE BAND?

292
00:16:23,849 --> 00:16:25,927
THEY'RE ON THEIR WAY, MAN.
IT'S GOIN' OFF LIKE CLOCKWORK.

293
00:16:25,951 --> 00:16:27,518
WE'RE GONNA DO IT. ALL RIGHT.

294
00:16:27,587 --> 00:16:29,297
HEY, BABIES. THEY HERE?

295
00:16:29,321 --> 00:16:32,456
- THEY'RE HERE, YEAH.
- LET'S GO. LET'S GO. GET 'EM ON STAGE.

296
00:16:32,525 --> 00:16:36,127
WELL, THERE'S A PROBLEM.
THEY'RE NOT GONNA PERFORM.

297
00:16:36,195 --> 00:16:38,862
WHAT?

298
00:16:38,931 --> 00:16:42,899
YEAH, THEY, UH... THEY FEEL THEY
HAVEN'T BEEN TREATED WELL HERE.

299
00:16:42,968 --> 00:16:45,836
WHERE'S A STICK? I NEED A STICK.

300
00:16:45,904 --> 00:16:47,838
THOSE JERKS HAVE GOT A CONTRACT.

301
00:16:47,906 --> 00:16:51,041
YEAH, THEY ATE THAT
ON THE WAY OVER.

302
00:16:51,110 --> 00:16:53,088
I'LL GET 'EM. NO,
WAIT A MINUTE, MAN.

303
00:16:53,112 --> 00:16:55,357
IT'S NO GOOD TALKIN'
TO 'EM. I TRIED IT.

304
00:16:55,381 --> 00:16:57,359
COME ON, MAN. JUST
CALM DOWN. YEAH.

305
00:16:57,383 --> 00:16:59,649
YOU GOTTA BE COOL ABOUT
THIS. JUST TAKE IT EASY.

306
00:16:59,718 --> 00:17:01,930
WHERE'S A STICK? SOMETHIN'
HEAVY. I'LL KILL THOSE GUYS.

307
00:17:01,954 --> 00:17:05,022
DON'T RUSH INTO ANYTHING, BABY.
IT'S JUST A ROCK CONCERT, RIGHT?

308
00:17:05,090 --> 00:17:07,124
I MEAN, THIS STUFF
HAPPENS EVERY DAY.

309
00:17:07,193 --> 00:17:09,220
YEAH. BUT I'M THE ONE
THAT'S GOTTA GO OUT

310
00:17:09,244 --> 00:17:11,495
THERE AND TELL 4,000
MANIACS THERE'S NO SHOW.

311
00:17:11,564 --> 00:17:15,265
I'LL TELL YOU SOMETHIN'. BY NOW, I DON'T
THINK THE MANIACS'LL NOTICE THE DIFFERENCE.

312
00:17:15,334 --> 00:17:17,180
YEAH, BUT CARLSON
WILL, AND I WOULDN'T

313
00:17:17,204 --> 00:17:19,370
BLAME HIM IF HE FIRED
THE WHOLE BUNCH OF US.

314
00:17:25,344 --> 00:17:28,257
I SUPPOSE YOU'VE HEARD THAT
THE THREE OF US HAVE DECIDED...

315
00:17:28,281 --> 00:17:30,361
THAT WE'RE NOT
GOING ON THIS EVENING.

316
00:17:32,418 --> 00:17:34,885
WELL, THE THREE OF
US HAVE DECIDED...

317
00:17:34,954 --> 00:17:39,056
THAT THE THREE OF YOU
<i>ARE</i> GOING ON THIS EVENING.

318
00:17:46,232 --> 00:17:49,400
ROCK AND ROLL.

319
00:17:59,478 --> 00:18:01,545
ALL RIGHT, CINCINNATI!

320
00:18:01,614 --> 00:18:06,717
THE MIGHTY WKRP IS PROUD TO PRESENT
FOR THE FIRST TIME IN THE COLONIES...

321
00:18:06,786 --> 00:18:10,354
♪♪ SCUM OF THE EARTH!

322
00:18:10,422 --> 00:18:13,257
GOOD EVENING, ALL
YOU STUPID IDIOTS.

323
00:18:15,327 --> 00:18:17,893
HELLO, YOU SCREAMIN'
TWITS WHO WERE DUMB

324
00:18:17,917 --> 00:18:20,765
ENOUGH TO PAY MONEY
FOR THIS. HOW YOU DOIN'?

325
00:18:20,833 --> 00:18:25,502
WE HATE YOUR LOUSY GUTS. WHAT
HAVE YOU GOT TO SAY ABOUT THAT? YEAH!

326
00:18:27,273 --> 00:18:29,206
♪ OH ♪

327
00:18:38,918 --> 00:18:41,251
♪ IT WAS A HAPPY ENDING ♪

328
00:18:41,320 --> 00:18:44,120
♪ THE BEGINNING, IT WAS ROUGH ♪

329
00:18:44,189 --> 00:18:49,827
♪ YOU DIDN'T WANT TO BELIEVE
THAT MY LOVE WAS ENOUGH ♪

330
00:18:49,895 --> 00:18:54,832
♪♪

331
00:18:54,901 --> 00:18:57,334
♪ YOU ALWAYS SEEM TO DISAPPEAR ♪

332
00:18:57,403 --> 00:18:59,648
♪ WHEN THE MUSIC GOT YOU SO ♪

333
00:18:59,672 --> 00:19:03,741
♪ I GOT ENOUGH LOVE
FOR THE TWO OF US ♪

334
00:19:04,977 --> 00:19:07,845
♪ I GOT ENOUGH LOVE ♪

335
00:19:07,913 --> 00:19:09,847
<i>♪ FOR THE TWO OF US ♪</i>

336
00:19:09,915 --> 00:19:12,950
<i>♪ I GOT ENOUGH LOVE ♪</i>

337
00:19:13,019 --> 00:19:15,919
<i>♪ FOR THE TWO OF US ♪</i>

338
00:19:15,988 --> 00:19:18,222
♪ I GOT ENOUGH LOVE ♪

339
00:19:18,290 --> 00:19:21,558
♪ FOR THE TWO OF US, BABY ♪

340
00:19:27,199 --> 00:19:30,167
♪ WELL, OH, YEAH ♪

341
00:19:30,236 --> 00:19:33,470
♪♪

342
00:19:41,914 --> 00:19:45,182
TRAVIS? OH. YEAH,
HI, MR. CARLSON.

343
00:19:45,251 --> 00:19:48,952
HOW YOU DOIN'? THE QUESTION
IS, HOW ARE YOU DOIN'?

344
00:19:49,021 --> 00:19:52,423
- WHO, ME? OH, I'M... I'M FINE.
- REALLY?

345
00:19:52,492 --> 00:19:54,925
SURE. WHOLE THING WENT
OFF JUST LIKE I SAID IT WOULD.

346
00:19:54,994 --> 00:19:57,661
JUST... SMOOTH GLASS.

347
00:19:57,730 --> 00:20:02,433
IS THAT A FACT? WELL, MAYBE WE SHOULD
DO THIS SORT OF THING MORE OFTEN.

348
00:20:02,501 --> 00:20:04,668
OH, I DON'T KNOW.

349
00:20:04,737 --> 00:20:07,471
I'M NOT AS, UH,
YOUNG AS I USED TO BE.

350
00:20:08,541 --> 00:20:11,275
OH, YEAH? OH, YEAH.

351
00:20:11,344 --> 00:20:15,446
WHATEVER HAPPENED TO THE DAYS
OF CROSBY, STILLS AND NASH, CHICAGO...

352
00:20:15,514 --> 00:20:18,081
YOU KNOW, GROUPS LIKE THAT.
THEY'D JUST COME OUT AND THEY'D PLAY.

353
00:20:18,150 --> 00:20:20,918
IT WAS... GREAT. YEAH.

354
00:20:20,986 --> 00:20:23,186
HOW 'BOUT BENNY GOODMAN, HUH?

355
00:20:25,257 --> 00:20:27,758
YEAH. MAN, THERE
WAS A BAND FOR YA, LAD.

356
00:20:27,827 --> 00:20:31,761
WELL, I NEVER GOT A CHANCE TO SEE
HIM, BUT I SURE DO LIKE THE RECORDS.

357
00:20:31,830 --> 00:20:34,290
WELL, I WOULDN'T WANT
THIS TO GET AROUND,

358
00:20:34,314 --> 00:20:37,100
BUT, UH, I KINDA LIKE
CROSBY, STILLS AND NASH.

359
00:20:37,169 --> 00:20:39,148
HEY, YOU OUGHTA
COME OUT AND SEE THIS.

360
00:20:39,172 --> 00:20:42,138
THEY'RE SPRAYING THE AUDIENCE
WITH A FIRE EXTINGUISHER.

361
00:20:42,207 --> 00:20:44,575
- OH, NO.
- YEAH.

362
00:20:44,643 --> 00:20:47,622
BUT THE KIDS LOVE IT. THE
CONCERT'S A BIG SUCCESS, BABY.

363
00:20:47,646 --> 00:20:50,647
- YOU OUGHTA COME TAKE A LOOK.
- ALL RIGHT. WE'LL BE RIGHT THERE.

364
00:20:55,087 --> 00:20:58,054
WHAT IS WITH THE KIDS
TODAY, MR. CARLSON?

365
00:20:59,691 --> 00:21:02,891
WISH I COULD TELL YA, ANDY. I
REALLY WISH I COULD TELL YA.

366
00:21:05,297 --> 00:21:07,731
READY TO GO?

367
00:21:07,799 --> 00:21:10,634
WHAT? HUH?

368
00:21:10,702 --> 00:21:12,636
YOU READY TO GO? OH, YEAH.

369
00:21:15,608 --> 00:21:18,742
♪♪

370
00:21:20,446 --> 00:21:24,314
♪ WELL, YOU GOTTA BE
TIRED OF SITTIN' LOW ♪

371
00:21:24,383 --> 00:21:28,285
♪ SOMETIMES YOU'RE JUST WISHIN'
SOMEBODY WOULD TAKE YOU HOME ♪

372
00:21:30,022 --> 00:21:33,523
♪ WELL, HAVING SOME
FUN FINDING A BOY ♪

373
00:21:33,592 --> 00:21:36,826
♪ REALLY DOESN'T TAKE MUCH ♪♪ ♪♪

374
00:21:36,896 --> 00:21:38,728
<i>♪♪</i>

375
00:21:43,302 --> 00:21:46,236
<i>♪♪</i>

376
00:21:54,079 --> 00:21:56,680
<i>♪♪</i>

377
00:22:11,763 --> 00:22:13,463
<i>♪♪</i>